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music videos 2.0


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personal video sites


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books&publications


         
progosk, January 13, 2012 6:19:30 PM CET
this would SO need a going-over...
         
kevathens, January 13, 2012 8:22:05 PM CET
Yep.
         
V|M, January 14, 2012 10:12:14 AM CET
Thank you
         
submarinechannel, January 17, 2012 2:21:38 PM CET
and don't forget 2pause show-casing cutting-edge music videos:
www.2pause.com
         
pancho, January 19, 2012 8:52:28 PM CET
Shameless plug.. my video channel > The Swamp: vimeo.com
2000+ vids
         
Carlos De Benito, January 19, 2012 10:22:58 PM CET
I invite you to visite my personal videoblog It's writen in Spanish and I comment music videos daily:
VIDEOTERAPIA (ONE DAILY DOSE OF IMAGE AND MUSIC)
www.video-terapia.blogspot.com
Os invito a visitar mi videoblog personal escrito en español donde comento videos musicales diariamente:
VIDEOTERAPIA (UNA DOSIS DE IMAGEN Y MUSICA AL DIA)
www.video-terapia.blogspot.com

         
kevathens, January 19, 2012 11:13:41 PM CET
Added
         
pancho, January 20, 2012 12:33:54 AM CET
:)
         
retsemag, January 31, 2012 7:24:26 PM CET
also...

keeponmovin.tumblr.com

all killer, no filler.
         
Atom, April 28, 2012 2:16:48 PM CEST
my facebook.com has a bunch of videos, some are similar to antville. most are new within a few hours from various watched artist and production companies.
         
almotasim, April 30, 2012 5:30:35 PM CEST
Here's my contribution: I've chosen 20 books about music videos published in the last 25 years. It's a personal selection, but I do believe it represents fairly the way academics, journalists and fans have been approaching the medium.


AUSTERLITZ, Saul
2007 – Money For Nothing. A History of the Music Video from The Beatles to The White Stripes, New York: Continuum.

AYEROFF, Jeff; Reiss, STEVE; FEINEMAN, Neil; STIPE, Michael
2000 – Thirty Frames Per Second: The Visionary Art of the Music Video, New York: Harry N. Abrams, Inc.

BANKS, Jack
1996 – Monopoly Television. MTV’s Quest to Control the Music, Boulder: Westview Press.

BEEBE, Roger; MIDDLETON, Jason (eds.)
2007 – Medium Cool: Music Videos from Soundies to Cellphones, Durham: Duke University Press.

COOK, Nicholas
1998 – Analysing Music Multimedia, New York: Oxford University Press.

DENISOFF, R. Serge
1988 – Inside MTV, New Brunswick: Transaction Publishers.

FRITH, Simon; GOODWIN, Andrew; GROSSBERG, Lawrence (eds.)
1993 – Sound and Vision: Music Video Reader, London: Routledge.

GOODWIN, Andrew
1992 – Dancing in the Distraction Factory: Music Television and Popular Culture, Minneapolis: University of Minnesota Press.

HANSON, Matt
2006 – Reinventing Music Video: Next-generation Directors, their Inspiration and Work, East Sussex: Rotovision.

KAPLAN, E. Ann
1987 – Rocking Around the Clock: Music, Television, Postmodernism and Consumer Culture, London: Routledge.

KEAZOR, Henry; WUBBENA, Thorsten (eds.)
2010 – Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video, Bielefeld: Transcript.

MARKS, Craig; TANNENBAUM, Rob
2011 – I Want My MTV: The Uncensored Story of the Music Video Revolution, New York: Dutton Adult.

MCGRATH, Tom
1996 – MTV: The Making of a Revolution, Philadelphia: Running Press.

MUNDY, John
1999 – Popular music on screen. From Hollywood musical to music video, Manchester: Manchester University Press.

RAILTON, Diane; WATSON, Paul
2011 – Music Video and the Politics of Representation, Edinburgh: Edinburgh University Press.

RAINER, Herausgegeben von Cosima; ROLLIG, Stella; Daniels; DIETER; AMMER, Manuela (eds.)
2009 – See This Sound. Promises in Sound & Vision, Köln: Lentos.

SEXTON, Jamie (ed.)
2007 – Music, Sound and Multimedia: From the Live to the Virtual, Edinburgh: Edinburgh University Press.

STRAND, Joachim
2008 – The Cinesthetic Montage of Music Videos, Saarbrücken: Verlag Dr. Müller.

VERNALLIS, Carol
2004 – Experiencing Music Video: Aesthetics and Cultural Context, New York: Columbia University Press.

WILLIAMS, Kevin
2003 – Why I (Still) Want My MTV: Music Video and Aesthetic Communication, New Jersey: Hampton Press.














 

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