The whole video is hand drawn frame by frame - markers on paper.

BASED

Political song against parties and maybe the whole political class in Hungary. The movement behind the video was founded for press freedom and for democratic rights. It's a quite simple song and vid, but people understand simple things. ;)

Vocal/Ének: Karsay Dorottya Music/Zene: Pálfi Norbert, Preiszner Miklós, Tóth Andor Lyrics/Szöveg: Pálfi Norbert, Karsay Dorottya, Máthé Zsolt, Jónás Tamás Producer: Bakos Gábor, Ifj. Sebő Ferenc C/Kamera: Rév Marcell, Tausz Gábor Assistan director/Rendezőasszisztens: Auguszt Gabriella Directed by/Rendezte: Ifj. Sebő Ferenc

Filmed on iPhone 4.

Michigan based artist Jerry Gari. "Wasn't" is the first single from the forthcoming self-titled album set to release Dec. 6th.

Until then you can check out his earlier releases at jerrygari.bandcamp.com

http://www.2pause.com/#/item/513/joanna

http://www.2pause.com/#/item/514/isles

Relapse Records artist TOMBS recently played a special free show at the St. Vitus bar in Brooklyn for Panopticon360. They played selections from their newest album, "Path of Totality," which Stereogum's Haunting the Chapel called "the best metal record of the first half of 2011." Check it out!

Youtube

PanopticonNYC

Director: Christopher Piazza Producer: Sara Blake Audio: Keith Rigling

http://www.2pause.com/#/item/516/too_busy_being_delicious

Romance; not oil painting but street-art video-projection. From a symphonic poem to the illeist collectives dubby "Backspace Romance". This hommage to a romantic summernight action is once more the link between the illeists music and Pablo Weber's light and video installations. Miro and Pablo in a freewheeling performance. As an audience only a sweltry summernight and Silas on the camera.

For the uninitiated, Oneohtrix Point Never is Daniel Lopatin, a US native whose work has brought him to the forefront of the modern electronic composition scene. Though Lopatin’s rise felt meteoric following his 2009 double-disc anthology 'Rifts' and its 2010 follow-up 'Returnal', (praised by the likes of Wire, Pitchfork, Fader, Guardian UK, The Quietus, and XLR8R) his love of polyphonic synthesizers dates back to childhood jam sessions with his father’s Roland Juno-60, an instrument which, like B.B. King’s Lucille, he has never left behind.

'Replica', his latest effort, is an electronic song cycle based around lo-fi audio procured from television advertisement compilations. These sample-based meditations are as lyrical as they are ecological, featuring re-purposed “ghost vocals” which serve as narration for Lopatin’s signature amorphous, ambient passages. Lopatin’s commitment to his Juno-60 is still on display, but the placid, synthetic surroundings of 'Returnal' are accelerated via darker, propulsive terrains using samplers, analog filtering, tape manipulation, acoustic piano, plate reverb and sub-frequencies. In his own words, “Replica has as much to do with environmental, broadcasted, and club sounds as it does with more direct musical influences.” The result is a heightened sense of music as part and parcel of an overall sonic landscape.

www.nowness.com

Official video for 'A Broken Heart Can Heal' by Fiona Bevan. Made by Clearhead Media. directed by Paul and Simon Wade. www.clearheadmedia.com

http://www.2pause.com/#/item/510/to_the_victor_the_spoils

http://www.2pause.com/#/item/511/tame_the_sun

http://www.2pause.com/#/item/512/garden