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Mr Ti2bs 'Keep it Movin'

stills sequences mixed with live action mixed with council estates.. stush.. qt: www.stemagency.com view on site www.stemagency.com


         
vidbot, June 6, 2006 at 4:13:12 AM CEST

Gorgeous use of stills to turn the night into a rhythmic wonderland of neon swirls. I’m really impressed by this there must have been allot of work put into it. Some of the shots of the guy walking shot from a car and the stuff with them holding TV's is absolutely amazing and almost a shame they have to be cut so quickly. The only problem (apart from the compression/transfer issues with the video cuts) is that we don’t really get anchored by the vocalist, the cutting to him is erratic and so we are carried away by the rest of the video, which is Amazing don’t get me wrong I love it. Can we have any technical information on how the stills were shot such has how the shutter was triggered? was it done with a timer? hooked up to a laptop? Great work.

BTW: are you aware there is some subliminal advertising for the DaVinci code in there.?


         
hakai, June 6, 2006 at 4:34:41 AM CEST

this is sick!


         
nang lee, June 6, 2006 at 6:04:37 AM CEST

Has anyone seen the DaVinci code yet?


         
kevathens, June 6, 2006 at 12:24:48 PM CEST

Wow, there's some great work in there. I agree with vidbot: needs more focus in the editing (i.e. more of it: keep it movin!), and you have a potentially fantastic video. Same goes for the rest of your/his vids. (Is mrmemory Anthony Dickenson? Did I miss something?)


         
mrmemory, June 6, 2006 at 4:49:15 PM CEST

glad people are feelin it..

vidbot: the camera was locked to fire continuously, shooting on average 1 second exposures.. teathering to a laptop would have limited movement and would not have helped, so no no no..

i get your point about the performance cuts.. i think for me its more the difference in quality between the live action and stills which interupts the flow.. that aside, i'm really pleased with the cut.. big up JRC for hard work..


         
cameralove, June 6, 2006 at 9:01:55 PM CEST

great video! but agree with others about needing more editing and performance. Was the 'live' footage graded? looked a little neglected for the stills trickery! Anyway still terrific!


         
saam, June 7, 2006 at 2:42:33 AM CEST

jokes man... anyone can shake a camera innit

Mr Ti2bs


         
_me_, June 8, 2006 at 7:51:35 AM CEST

anything to do with this guy?

www.piksells.co.uk


         
progosk, June 8, 2006 at 3:47:59 PM CEST

qt died at 1:35 for me; fix for it?

low down dirty & lean. groovy. yeah, felt lots like chas mollett, but good anyway. didn't mind the rawness of the performance parts ('cept the interlacing). luv to see more...


         
mrmemory, June 8, 2006 at 5:56:56 PM CEST

hope you got past the 1:35 mark progosk.. don't know why that is.. the encode isn't the best, sorry..

tis very similar to Chas, but i realised how far the technique could go.. Chas was more of a montage of experiments..

ran a test the other night which takes the idea even further.. pretty excited about it, so no doubt there is still more to come..


         
hakai, June 8, 2006 at 7:46:29 PM CEST

Ho long did it take you to shoot all that?


         
progosk, June 8, 2006 at 8:03:47 PM CEST

saw it all now. mad slick.


         
mrmemory, June 9, 2006 at 11:39:42 AM CEST

4 nights..


         
serpico, July 6, 2006 at 4:23:31 AM CEST

your Chas Mollet 'montage experiment' was killer.


         
stem, December 7, 2006 at 2:01:55 PM CET

Good work Tone!
















 

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