Kaiser Chiefs, "Love's Not A Competition" (dir. Jim Canty)

QT via HSI.
keith richards, 18. October 2007, 00:18
Brilliant. So Simple.lusk81, 18. October 2007, 00:28
Holy shit is this classy. What a lens!Who was the DP -- or more importantly, your cam op?
scooper, 18. October 2007, 01:34
one shot, one word - classkevathens, 18. October 2007, 02:49
I'm not sure I get it.. Is this a straight man's soliloquy?bodysong, 18. October 2007, 03:00
kevathens really needs to have a gay man's round table or something. at least once a month he posts a comment hoping to provoke some kind of homosexuality discourse. what does this video have to do with being gay or straight?i second scooper and lusk, this is real class. I also dig the subtle blur faces of the pedestrians.
kevathens, 18. October 2007, 03:03
Then what does it mean? I'm not getting the same feeling for this as the first three commenters, but would like to.mva, 18. October 2007, 05:53
i like this video purely for the way it was shot. but i too don't understand anything outside of thatprogosk, 18. October 2007, 14:55
love this sort of formalist concept. (wtf lens is that? dop = tom townend?) wondering, tho, whether more might have been made of the preamble.framescourer, 18. October 2007, 18:25
Rather with kev on this one, in that I don't get it. It's almost like the first third of a video (in fact the song seems to die out before it's own development section, ahem...)It is however, great fun to try and spot the ADs/runners handling the band on the ground whilst trying to be 'part of the crowd'.
dim, 18. October 2007, 23:29
This is good, enjoyable without feeling heavy-handed. Reminds me of the opening for 'The Conversation (1974)'.milan, 2. November 2007, 13:52
In a very strange way, this was moving.The first thought I had was how familiar its approach is to R.E.M.'s "Imitation Of Life" video, one of my personal all-time favorites (which might be why I personally feel this KC piece is effective).
I think both videos explore the vague concept also present in a film like "Blowup" (1966) in which the viewers eye is made to feel like they are studying a series of photos.
The camera was stationed atop a building, which made it easy to convey the alienation present in such a big city (NYC) and song.
Very simple, very effective.
loz, 2. November 2007, 15:22
very much opennig of 'the converstaion'. really really nicely done though, that first shot for one... wow. i like it, dunno what it means, but who gives a crap?