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LOVE SOUNDS BY TRAVIS J FT NAHSHON TAQI


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Ca$h Ryan "40s and OJ"

Music video for 40s and Oj performed by Ca$h Ryan.

Site: www.dreamersleague.net... Instagram: www.instagram.com

Copyright (C) 2015 Iconic Music Group.



Trina "Forget That" featuring Steph Lecor

Music video by Trina performing Forget That (feat. Steph Lecor). (C) 2016 Penalty Entertainment, LLC



REBOLLEDO / Mondo Alterado / by Graphset

REBOLLEDO is back with his new high performance GT album MONDO ALTERADO. In this short documentary we can see the technology, mind set and design behind it...

- http://graphset.net
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Lemaitre "Closer" Dir: Ewan & Casey

Lemaitre "Closer" from Ewan Jones Morris on Vimeo.

vimeo.com


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HEY- "PRĘDKO, PRĘDZEJ" dir. DAWID KREPSKI

SPACE VISUAL HAIKU.


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Hawley Penfold - Seize The Moment (directed by Marc .MDoc. Williams)

www.youtube.com


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Annakin "Beauty of an Abandoned Place" Director Christian Ammann

Official Video Teaser of the Song "Beauty of an Abandoned Place", out May 6. Video out May 24. www.annakin.net Directed by Christian Ammann


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Dorian Pistilli - "No Longer" directed by Phoebe Cavise


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Blue Man Group - The Forge

www.youtube.com

"Second single and music video from Blue Man Group's 2016 release THREE on Rhino Records..."


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Where is Thumbkin | Nursery Rhymes, Kids Songs, and More | Nursery Rhyme Collection

"Where is Thumbkin" is a mother goose nursery rhyme included in this nursery rhymes and kids songs nursery rhyme collection. Rhymes and baby songs like this kids rhymes and baby rhymes playlist include rhymes for children, nursery rhymes songs, children rhymes, and other nursery rhymes videos that are fun for toddlers, babies, children, infants, and kids in preschool, kindergarten, or homeschool. Mom, dad, and parents - let your baby and kids sing along to nursery rhymes and kids songs like, Where Is Thumbkin? and more!

-- WATCH AD-FREE ON KIDOODLE.TV -- bit.ly

-- SUBSCRIBE for More Videos -- www.youtube.com

Nursery Rhyme Track Listing: Where is Thumbkin Pat-A-Cake Old MacDonald Had a Farm Ten in the Bed Animal Finger Family Little Miss Muffet The Itsy Bitsy Spider Wheels on the Bus Twinkle Twinkle Little Star Row Row Row Your Boat I'm a Little Teapot Mary Had a Little Lamb Rain Rain Go Away Humpty Dumpty Baa Baa Black Sheep Hickory Dickory Dock Jack and Jill Yankee Doodle 5 Little Monkeys Hey Diddle Diddle Finger Family Bingo

"Where is Thumbkin" Lyrics: Where is Thumbkin? Where is Thumbkin? Here I am! Here I am!

How are you today, sir? Very well, I thank you.Run and play.Run and play.

Where is Pointer? Where is Pointer? Here I am! Here I am!

How are you today, sir? Very well, I thank you. Run and play.Run and play.

Where is Tallman? Where is Tallman? Here I am! Here I am!

How are you today, sir? Very well, I thank you. Run and play.Run and play.

Where is Ringman? Where is Ringman? Here I am! Here I am!

How are you today, sir? Very well, I thank you. Run and play. Run and play.

Where is Pinky? Where is Pinky? Here I am! Here I am!

How are you today, sir? Very well, I thank you. Run and play. Run and play.

-- CELEBRATE YOUR BIRTHDAY WITH TAYLA! Find out How -- www.teatimewithtayla.com

-- TEA TIME WITH TAYLA educational video playlists -- Nursery Rhymes - bit.ly ABCs & Phonics - bit.ly Learn Colors - bit.ly Learn Numbers & Counting - bit.ly How to Draw - bit.ly Animals and Insects - bit.ly Crafts for Kids - bit.ly

JOIN Tayla's Email Club: bit.ly

-- follow TEA TIME WITH TAYLA -- Facebook: www.facebook.com Twitter: www.twitter.com Google+: plus.google.com Pinterest: www.pinterest.com

Do Your Child Love to Sing Nursery Rhymes? Then they'll love Tea Time with Tayla! Parents of Babies and Toddlers use Tea Time with Tayla's educational Videos to Teach Basic English Vocabulary and Concepts. Kindergarten, English & ESL Teachers and Children with Autism, Asperger's or Learning Disabilities such as Delayed Speech have all found Tea Time with Tayla Videos a Great Teaching Resource to Improve Young Learners' Development.

Tea Time with Tayla not only has fun kids songs and children's music videos, but also has Children's Edutainment Videos that teach Counting, Colors, The Alphabet, ABC's, Shapes and More. Check Out Tayla's Online Shop: www.teatimewithtayla.com

Children love to sing nursery rhymes along with other educational videos for kids. Tea Time with Tayla's kids nursery rhymes let kids enjoy awesome songs and engaging animations.This combination of great songs and colorful visuals lets even parents have fun along with their children. These popular nursery rhymes and kids learning videos make your home a kindergarten letting your child learn and have fun at the same time.


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Michel Montecrossa; THE THUNDER WOMAN OF LOVE & FREEDOM - opening song of THE THUNDER album

Michel Montecrossa says: “’THE THUNDER WOMAN OF LOVE FREEDOM’ is the opening song for my album THE THUNDER. It is a deeply personal Lilith-style album singing about love relations as the root of all conflicts and every redemption. THE THUNDER songs are singing from the place where male and female are the androgyn reality of our Self, where we meet every other Self in the way of both sexes. It is there where all conflicts disappear and the unexpected appears. THE THUNDER can be heard in this album through Cyberrock Ballads of Love and Freedom and New-Topical-Song-Echoes from an uprooted world of sensual distortion. THE THUNDER like Lilith does not want to be buried under the king during love making but rather wants to sit on top of his prick. Lilith was greatly despised for that by patriarchs and male dominated religions. But in fact she is the creation goddess dwelling in the World Tree, or in other words, in every prick. THE THUNDER gives you something to think for the next time you are in bed with someone. Most of the songs have English lyrics and some are bilingual Deutsch-English.“

Michel Montecrossa Homepage: www.MichelMontecrossa.com

Follow Michel Montecrossa on Twitter: twitter.com

Michel Montecrossa's paintings & drawings: michelmontecrossa.com


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Trina ft. Steph Lecor "Forget That"



Orisha Sound - Rewind (directed by Shel-K & Orisha Sound)

www.youtube.com

A music video for "Rewind", recent reggae / pop release from Jamaican artist Orisha Sound


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The Whiskey Hollow - Hudson Hill (Dir. Stephen Mlinarcik)

1,599 hand cut stop-motion frames, painted miniatures, and paper figures converge to illustrate the story of a lonesome runaway attempting to elude their fate in a storybook world that is out to bring them to an unnecessary justice.

Hudson Hill #1 Hudson Hill #2 Hudson Hill #3

The Whiskey Hollow | Hudson Hill from Stephen Mlinarcik on Vimeo.


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Paperbark "A Stones Throw Away" (dir. Ratigan)

A Stones Throw Away from Non Films on Vimeo.

Drowning in isolation, a lonely soul finds a machine that can render artificial nostalgia for a price. Music by Paperbark. Direction and animation by Ratigan. Sound Design by Nick Punch. From the album "Forgotten Narratives" on Black Box Tapes: paperbark.bandcamp.com ©MMXVI Non Films & Black Box Tapes -- NON.007 --
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Chance The Rapper featuring Saba - Angels

2016-02-26-1456512900-7038387-chancehuffpost.jpg

Chance entered stage left and exited stage right. In the middle he made magic.

That “Ultralight Beam” SNL performance was something special. Goosebumps, hair on edge, fighting back tears, it was par for the Kanye West course, but that performance had something extra. There was real power. Chance the Rapper commanded that stage and did it with Kanye watching like a proud father.

“I met Kanye West I’m never going to fail,” he said with Kanye standing over his left shoulder. To me and to many who continue to be inspired by Kanye (Chance included) that line reads like, “Holy sht, I’m on the same song as Kanye fcking West.” You’d have to be Stevie Wonder to not see and Victor Zokas not to feel the significance of Chance and Kanye on the same stage. For Chicago, for hip-hop as a whole, it was a moment; one that seemingly united the hip-hop community.

Chance and Kanye’s budding friendship is exciting and it’s been drawing comparisons that extend far beyond “Ultralight Beam” and “I hit the gym all chest, no legs.”

While their relationship has blossomed recently, the comparisons between the two have been made for sometime now. In fact, as far back as 2013, people were already drawing a direct line between Yeezy and Chano, and it was undoubtedly happening within Chicago long before that.

“The classic soul/R&B elements on Acid Rap remind me of listening to The College Dropout for the first time; both that album and Chance’s are watershed releases that sound simultaneously familiar — largely due to the traditional musical source material they use — and entirely new in approach.”  - Prefix (2013)

Chance has clearly been inspired by Kanye and has never been one to shy away from that influence. While it’s impossible to not recognize some connections between the two, let’s not confuse inspiration for succession. There are some very big differences between them, and when you compare Chance to Kanye, it’s a disservice to Chance’s story and more importantly, it limits Chance’s future.

The day I first heard Kanye West is a day I will always remember. The more I listened the more I learned, the more I became enamored with his story. “The Rudolph red nosed reindeer of the Roc,” Kanye was an underdog, but in his mind he was already the MVP, he just needed to get on the field. He had the ego of Willie Beamen but the roster spot of Rudy and you couldn’t help but love him for it. Once he got the opportunity, he sacked the game. He raised himself up on his own shoulders and carried himself out of the stadium. That’s why I love College Dropout. That’s why I love “Last Call.” The outro of the album was his chance to plant his flag on hip-hop’s summit after an treacherous climb. Kanye beat them at their own game; he earned it. To this day, I still sense that chip on Kanye’s Hermes-draped shoulder. He’s conquered hip-hop and is now focused on kicking down the door of fashion. He’s begging for a shot again. He thrives off the doubt that the powers that be are conspiring against him. He wants to take over every game he’s not allowed to play.

I also remember the first time I heard Chance. Maybe not the exact first time, but the first time I felt his magic. It was “Juice.” Thanks to Kanye, at that point I had been studying hip-hop for years. I knew my way around a sample, I listened, wrote, and listened more. I had moved from what was on the radio to what never would be. I wasn’t 9th Wonder, but I knew hip-hop. When I heard “Juice” it was unlike anything I had heard before. In all my articles, all my sleepless nights spent perusing Soundcloud, I had never come across anything like “Juice.” With a nasal yet raspy flow, Chano gracefully meandered over the beat. He was cluttered, off-kilter and obscure and yet somehow it felt so natural. He makes his way across a production on scattered footholds, jumping and falling with style to the finish line while other rappers use the same bridge. “Acid Rap” wasn’t his middle finger to the establishment the way College Dropout is — if anything that’s 10 Day. Acid Rap‘s charm, its soul, is a product of Chance’s commitment to himself and the comfort that comes with doing things the way you want. After a project of doing things his way, his last statement? “Everything’s Good.” No intro from Jay Z or a heavyweight co-sign, instead the other voice we hear is from his dad. Kanye finally got a chance to run their race, to play their game, and he was ecstatic that he had beat them at it. Chance? Chance was too busy inventing his own game to play theirs.

Chance is running his career the same way he runs a beat. He’s finding paths other emcees can’t even spot. His resume has been celebrated, but it’s worth stating again. He’s released the first free project on iTunes, he’s headlined festivals, he’s recorded with f*cking Madonna, and now he’s performed on SNL...twice. The Harriet Tubman of the underground, he’s blazing a trail for future emcees to follow. Kanye was begging labels to let him in. Chance is fighting them off with a stick. They didn’t want Kanye but they’d kill to have Chance.

More important than any song or performance, he is committed to ensuring he leaves Chicago better than he found it by clothing the homeless and hosting poetry slams. In a city plagued by violence, Chance is doing his best to heal the wounds. Kanye’s inspired a generation with his voice and now Chance is encouraging his generation to find their own. What makes me more excited about Chance is not his music, but what he can do for music. He has the opportunity to alter the DNA of hip-hop. He’s only 22-years-old and has already done it in part. What will another 10 years look like?

But when we compare him to Kanye, when we talk about him as “the next Kanye West,” I fear that it prevents us from celebrating the one thing that makes Chance Chance; his uniqueness. Let’s not compare him to something that’s already happened, let’s celebrate the fact that he’s done what nobody else has.

Chance is different. He’s never wanted to fit into a mold, so let’s not force him into one. He doesn’t need to follow in Kanye’s shoes, he’s already kicked off his Yeezys and is dancing in the rain.



Otep "In Cold Blood"

Breaking ground, breaking rules, breaking barriers! ARTCore of Heavy Mental Rock. “Formed from the poetic marrow of creative intercourse, OTEP is an Art Project/Band/Movement/Revolution; Breaking ground. Breaking rules. Breaking barriers. Articulate. Aggressive. Pure Adrenaline. ARTCore of Heavy Mental Rock.“ This is how mastermind / vocalist OTEP Shamaya and her allies have been described and this album proves this truth! Transcending from the darkness, like wolves into the light, OTEP is an explosion of inspiration and motivation, empowered by their dedication to the arts, being a voice for the voiceless and fighting injustice. Rising from the labyrinth of Los Angeles, California, OTEP is unleashing a roaring anthem titled “Generation Doom”. With Otep Shamaya’s multifaceted vocal approach, from gut wrenching roars to soft seductive poetry to singing with a surprisingly magically beautiful voice, to her evolution as a writer and story teller, Generation Doom erupts with thunderous, punishing grooves that harmoniously detonate into dark industrial fury with magma flows of hard rock melodies that seamlessly shape shift into a mysterious musical beast we’ve just discovered, those who’ve heard “Generation Doom " say it's best described as “genius, heart stopping and one of a kind.” Where will OTEP`s courageous odyssey take them? Nothing seems impossible.


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Brielle "Ought To Be"

Directed by Annette Navarro Co-directed by Free da'Dreamer Written by BRIELLE and Free da'Dreamer Produced by Free da'Dreamer

Check out Brielle’s music available below: Buy "Ought To Be" Now on iTunes!: itunes.apple.com... Spotify: spoti.fi Google Play: bit.ly

Sign up to get exclusive emails from Brielle: brielleonline.com...

Follow Brielle for the latest updates: brielleonline.com twitter.com... instagram.com www.facebook.com

BRIELLE® is a registered trademark protected by copyright and trademark laws under U.S. and International law. Property of AGP Records. All rights reserved.


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Ca$h Ryan "40's and OJ"

Music video for 40s and Oj performed by Ca$h Ryan.

Site: www.dreamersleague.net... Instagram: www.instagram.com

Copyright (C) 2015 Iconic Music Group.


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