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Midihands - What to do from AcquaSintetica on Vimeo.

WHAT TO DO?

Directed by AcquaSintetica

Song by Midihands

Makeup artist Nella Zizzi

Starring Beatrix Kittens Piero Pignatelli

Alberto Mocellin Nicolò Cofano

Midihands

Special thanks Nello Rosato Benny Fanizza Massimo Laguardia

The clip for the song -- which Bieber performed at the 2016 Billboard Music Awards -- was shot over the past year and JB said it's a glimpse at the good times and effort he's put in lately. "Personally, I love this video because it’s an honest look at my journey," he said in a statement. "The process of putting together this album and this tour -- surrounded by people I love to be with -- has been really special. I’m proud of it, it’s been a lot of fun and lot of hard work, and I think that really shows in video. I hope my fans like it as I much as I do, because it’s really all for you."

He'll continue the tour for the No. 1 album that's sold more than nine million copies globally and spawned three No. 1 hits on Saturday when he plays the MTS Centre in Winnipeg, Canada. He'll stay at it in North America through June and July before heading to Japan in August and Europe in the fall.

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Los Angeles-based creative studio VR Playhouse transports viewers through a universe of rainbow vortexes, trippy wormholes, exploding planets and asteroid fields in the new VR music video for alternative/electronic singer-songwriter Dawn Richard’s new single “Not Above That.”

Inspired by the 2D music video for “Not Above That,” which features space-age imagery and futuristic costumes and makeup, directors DJ Turner and Monty Marsh set about creating this world in 3D for an artist who has always sought to be on the cutting-edge of technology and pop culture.

“I was inspired by the source material from the framed music video shoot for ‘Not Above That,’” says Turner. “Monty gave us access to the shoot, and with those assets, we started world building.”

The result was a high-tech virtual reality experience where viewers travel in a spaceship throughout the outer dimensions of the galaxy, encountering an overwhelming number of twinkling stars, unknown planets, fireballs, vortexes, black holes, wormholes and asteroid fields, at one point even navigating the terrain of an otherworldly planet. As the viewer is immersed in this visually stunning universe, a holographic Dawn sings in front of the spaceship’s dashboard, eventually joining in with the other dancers on the spaceship to perform an intergalactic show.

“Working with Dawn was awesome,” says VR Playhouse co-founder and CEO Christina Heller. “I love that she is an independent artist who built her own following. Her work is very tech-forward and futuristic, so it seemed like a good match.”

Director Turner agrees that VR was the perfect medium for this particular project. “Every art form that has been created over the years – music, art, computer graphics, filmmaking – they all play a role in this world of virtual reality,” says Turner. “CG artists have always created these amazing little worlds, but you only get to view them through a tiny window. Now with VR, you actually get to be immersed in them. It’s exciting to see what the future holds.”

The effects were created by VR Playhouse. Most of the assets were created in Houdini. Modeling was done in Maya, and the spaceship from the framed music video was edited in Maya. The team next took the assets into Nuke, where they performed cleanup, created light effects, composited all the different layers together and added in the hologram layers. Finally, the project was completed in Premiere.

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Furlined director Björn Rühmann has released the second installment of his short films for Los Angeles-based indie folk band The Herbert Bail Orchestra, for their haunting track, “The Future’s in the Past.” The cinematic piece highlights themes of isolation and loneliness and draws upon the undertones of regret in the song, which offers a snapshot of intersecting lives that skim past each other in rural American life.

The emotional short film opens with band members discovering wreckage of an abandoned car, triggering a series of close encounters linked by tragic destiny. A woman limps away from the crash seeking aide from a nearby home. Mistaken for an intruder, she sparks a man’s fear and haste, resulting in a catastrophic exchange that cannot be reversed.

“It’s about how humanity has universally become more withdrawn and lonely,” notes Rühmann. “We wanted to explore the distinct tragedy of being left with yourself in the wake of avoidable trauma caused by a lack of genuine interpersonal connection.”

Rühmann abandons the traditional music video format, taking the time to explore the narrative before weaving in the music to amplify the emotional crescendo of the characters.

“We want to make cinema for the ears,” says The Herbert Bail Orchestra frontman Anthony Frattolillo. “Our idea is that every song is a journey and has a story behind it.”

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"That's why this song, 'Everybody We Know Does,' is really special to me," he continued. "We went in and recorded it with some of Nashville's top studio musicians, so it's our sound and our lives reflected in this song. It's who we are, and that's ultimately what brings us all together."

Rice's last single, "Whisper," failed to crack the top 50 on the Country Airplay chart, which puts additional pressure on "Everybody We Know Does." The song was written by Jeremy Bussey and Travis Denning. Listen below.

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H U D E A from AcquaSintetica on Vimeo.

NO BORDERS "I'm running somewhere, a thousand miles away, from here, from you"

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Music production: Jonathan Nathaniel Mastering: Tom Coyne

Video credits: Produced & Directed by Cedric Sequerra Director Of Photography: Eric Bindman Visual FX: Matthew Dukes Colourist: Jean-Maxim Desjardins Assistant Camera: John Lipsz Production Assistant: Michael Baloun

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Michel Montecrossa says about his New-Topical-Song ‘Talking Brexit - Über Brexit Reden’: “Brexit is totally wrong. Brexit is a crime against the future of the young. My New-Topical-Song ‘Talking Brexit - Über Brexit Reden’ takes a stand for this future and the future of a growing EU of strength and unity opening the doors to Eurasia with its great potential for free trade, jobs and prosperity that a powerful spirit of Human Unity can set free.“

Michel Montecrossa Homepage: www.MichelMontecrossa.com

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I shot this music video in a slum of Accra, Ghana. The whole shoot took about 4 hours, it was nuts.

I was in the area working on a doc project for a company called Gizmogul. The slum is called Agbogbloshie and it's so high in crime and pollution that it's nicknamed 'Sodom and Gomorrah'. It's a swampy area that is known for disposing of (burning) electronic waste. You can see that finished piece here: vimeo.com

My friend/local fixer in Ghana had a friend who lived in the neighborhood and happened to be a pretty dope rapper. He agreed to help me with the shoot and in exchange, I shot this music video for him. Every few minutes, he would lead me to the next location where drunk neighbors and aggressive prostitutes were waiting to be his background dancers. It was crazy and very fun. Hope you enjoy.

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